Inspired by a recent rewatch (or, infact, 3 watches between Christmas and now) of the Prince Caspian DVD, I decided it was time to reread the full Chronicles of Narnia. I picked up this set from an Amazon trader for only £7.13 delivered, which was a great price, I reckon. It’s a boxset with the 7 paperback books. The covers are new, but the imprint inside is identical to the set my mother had when I was small (and still has), including all the original pictures that I remember. The books have been chronologically ordered (as opposed to ordered by publication date) – if you would like to debate the best order to read in, then there are plenty of places to do that online 
The first thing that really struck me as I reread these books for the first time in over 15 years, is that they’re really short. I managed to read a book a day on the train to and from work (roughly a couple of hours reading a day) and I’m not a particularly quick reader. They are obviously books aimed at children – you don’t have the depth of history or explanation that you do in, say, Tolkein – and although they do appeal to an adult audience, it would be unfair to attempt to rate them alongside books that aimed at adults. Having said that, in some ways I find the world of Narnia more vivid in places than the world of Middle Earth. I certainly found myself more attached to Narnia, for reasons that will become clear.
I found that I had remembered only bits of all the books. The LW&W is probably the most vivid in my memory, but then, it’s also the one most referenced and made into film. The other books all produced some vague memories, but nothing totally concrete for any of them. This may be, in part at least, that the sparsity of the writing (and I don’t mean that in a negative sense) allows for the wild imagination of a child to be set free, but these imaginings don’t necessarily create the same lasting impression as a written description.
One of the things that brought me back to this series is the closing music piece on Prince Caspian – “The Call”, by Regina Spektor – it’s a haunting piece of music that, I believe, really captures the sense of sadness of the Pevensies having to return to their own world, knowing that nothing there has changed, and also that 2 of them will not be returning to Narnia. This is reflected in the books, and it feels that CS Lewis felt a genuine sadness for the numbers of children who find the faith of their youth fading away as they grow older.
Faith is a definite theme within the books, and still causes a lot of controversy. JK Rowling and Phillip Pullman have both been on record as objecting to the work of CS Lewis, particularly his treatment of women generally, and Susan in particular, although I am not convinced that either author hasn’t read more into his writing than was originally there. For me, however, both as a child and now, there is some wonderful imagery for faith within these books. The creation of Narnia in A Magician’s Nephew, and the depiction of heaven as Aslan’s land, painted gloriously vivid pictures of creation and heaven that still appeal to me all these years later.
Ultimately, I tend to find that the books that impress me most are either those that surprise me, or those that leave me feeling a sadness at their ending. The Chronicles of Narnia, as a complete work, definitely fall into the latter category. If you read them as a child, I would recommend a re-read. If you didn’t, certainly read them, but suspend your disbelief as an adult and see through the eyes of a child if you can.
mrBen
Roll on the next 10.
